Thursday, December 1, 2011

And The Crown Goes to...

PICK 1

Photo Credit: Nytix.com


Photo Credit: Playbill.com

1.) Name of Show : 42nd Street ( 2001 Revival)
2.) Name of song/dance number: "We're In The Money"
3.)

4.)APA reference for video: 42nd Street Broadway Revival Tony Award Presentation (2010). [Video file]. Retrieved from http://www.youtube.com/watch?v=dEVi5oug7Rk&feature=player_embedded
5.)Choreographer : Randy Skinner
6.)Dancers (if credited): Original Cast of the Revival of 42nd Street
7.)Ranking in your Fab Four: # 1
8.)Comments & Notes: After watching all three of the videos in Unit 3, I immediately knew that this one was my favorite. All the dancers had such a lively energy and danced with smiles on their faces throughout the performance. There were both male and female dancers; they all wore bright, gold outfits. The dancing mainly consisted of rigorous foot movements, and all the dancers were synchronized with their dancing. The performance was done on a staircase, which made it more challenging for the dancers, because they had to be very aware of the space around them and had to keep their movements very precise.

Expansion:

1.) More info about the dance/show: Context of dance in the show, reviews, pics, posters, gossip: 
Reviews:

"That smile doesn't fade when the curtain rises just a foot or so to reveal several dozen sets of legs tapping to beat the band. It's a marvelous sight gag, a literal-minded rendering of the invitation of the show's title song: 'Come and meet those dancing feet.'" -- New York Times

"Inside, everything was bright and colorful. Houselights dimmed, the curtain rose – only partially – to reveal the rapidly tapping feet of a chorus line – and there we were, immediately captured. No longer in rainy Florida, we were in the Big Apple, tapping our own toes to the beat of 42nd Street." -- Chicago Critic

"Come and meet, those dancing feet! 42nd Street is the ultimate Broadway fairy tale as a small town chorus girl, Peggy Sawyer, gets her chance to become an overnight star. Filled with amazing production numbers such as "We're in the Money", "Lullaby of Broadway", "Shuffle Off to Buffalo" and "42nd Street", this fast-paced, dance-filled classic musical celebrates the stuff that dreams are made of." - TheaterMania


Poster:  
Photo Credit: http://www.unitedshow-music.com

Pictures:  
Photo Credit: http://www.robertaonthearts.com
Photo Credit:  http://images.broadwayworld.com
 2.)Role of the Dance:
In the 42nd Street musical, the hit number "We're in the Money" plays many roles. Not only is the dance full of eye - catching glitz and glamour, it is also a musical number that is relatable to most New Yorkers. From the shinning lights to the glittery outfits to the non-stop footwork based dance moves, this number was full of entertainment for the whole audience. The upbeat routine was full of positive energy and showed the audience a glimpse of the chaotic life in New York City.This dance number also really allows the audience to feel apart of the show. Due to the change in sets throughout the performance, the audience is able to visualize that they are actually taking part in the scene rather than just watching a show. For example, when the dancers shift to the subway set, the audience members can feel as though they are traveling on that subway with the rest of the cast. The subway scene is actually very relatable to the average New Yorker that rushes to work in a subway on a daily basis. The chaotic New York City life is shown in a positive light due to the happy-go- lucky attitudes of the dancers. The way the dancers have smiles on their faces throughout the performance of scurrying through the city makes the stressful city lifestyle seem much more friendly and appealing.

3.) Evidence of Dance Influences:
This fun filled hit number has many dance influences but the one influence that went on throughout the whole performance was tap dancing. From the moment the curtain rised at 0:00 until the show ended at 3:00, the dancers were constantly tapping their feet. Whether they were spinning in circles, walking down a set of stairs, or marching to a subway station, they were constantly tap dancing with elegance and poise. Around 1:45-2:00, there is some influence of Vaudaville. As the female dancers enter the subway and take their seats, they begin to criss cross their legs and immediately start doing high kicks from their seats, mixed with some tap as well. Around 2:14, the dancers show influences of precision dancing. The dancers are very coordinated as they spin in a circle while tapping, they then elegantly come together and form a line while tapping their feet. The dancers that were once scattered all over the stage came together with such precision in their movements, they made the group dance movements look effortless. Other influences include: Connection to Earth, Freedom of Movement, and Syncopation.

4.) Impact of the dance on musical theatre/ evolution of Broadway Dance:
I definitely think this dance number set the bar high for future Broadway Dance performances. Not only did this show go above and beyond with all the pizazz, it was incredibly creative. The producers of the show made the performance very visual for the audience. The producers could have easily kept the dancers on one stage throughout the performance but they went the extra mile. The different backdrops and sets during this number made it feel like a real city rather than just a set behind the curtain. They created a real life scenario for the audience, the different sets helped the performance come to life so that the audience members could feel apart of the scene. Producers of future Broadway shows will have to try and match up to the standards of 42nd Street. This dance has definitely increased the audiences expectations of Broadway. Future shows will need to be equally engaging and creative to keep the audience interested.


5.) Deeper Personal Connections:
The personal connection I had with this show was because of how relatable it was to my life. Watching this number brought back so many memories for me of when I used to live in New York. Anyone that is a New Yorker would know what a fast-paced lifestyle it is in the city. Regardless of where you have to go or when you have to reach there, people are always rushing to get to their destination. Sometimes being in that atmosphere can be stressful because it feels like you never have a moment of ease or relaxation. However, I really enjoyed this number because it depicted the city in a positive light. The whole cast was friendly and constantly smiling throughout the performance. The dancers were tap dancing in such a fast manner as they were moving across the stage to show the speedy city lifestyle. Watching this number really helped me appreciate the beauty of New York and it's city life. It made me realize that no city can ever have the charm that New York City has.

6.) Society in which the dance took place:
Since this show was the revival of 42nd Street, it took place in 2001. During the time of this performance, society was recovering from the terrorist attack on 9/11 in New York City. At the time, being in the city was very hectic, everyone remained on edge and worried that they would witness another tragedy. Although it was a terrifying time for America, it was also a time when people came together and became united. In times of tragedy, people tend to befriend each other and offer any help or support they can give. I would imagine that watching this performance after the 9/11 attacks must have been comforting to know that one day the city of New York would return to its normal city-like lifestyle.

7.) 2001 Society compared to 2011 Society:
2001 was definitely a challenging time period for most Americans. Society in 2001 has definitely become more carefree as the wounds have slowly healed. Americans now know that in times of need they all come together as a support system and can fight against anything. In today's society, people roam through the city without any hesitance, they enjoy the beautiful weather, the tourist attractions, and gorgeous skyline with smiles on their faces. It is definitely comforting to know that America has evolved for the better and no longer lives in fear. We can walk around in our cities and enjoy everything they have to offer without any fear. I am sure that watching the performance in today's society would be fun for a lot of people because it pertains to their daily lives.

8.) Response of Current Society to Show:
I am pretty sure that almost every Rutgers student would by tickets to this show. This musical hits so close to home for most students being that our campus is so close to New York City. Most students from our school spend their nights out in the city when looking for something fun to do. The upbeat and entertaining show highlights the beauty of New York City and it's attractions, making city life so appealing. I am sure that all Rutgers students would be honored that their main place to hangout is being portrayed in such a positive light in a Broadway show. The students would be able to relate to the whole scenario in the show, making it even more enjoyable for them.

1st Runner Up is...

PICK 2 EXPANDED
Photo Credit: Broadwaymusicalhome.com
Photo Credit: Bluegobo.com

1.)Name of show (year it opened): Crazy For You (1992)
2.)Name of song/dance number : " I Can't Be Bothered Now"
3.)
 

4.) APA citation and reference for video: Mike Ockrent. (Director). (1992). Crazy for you - "i can't be bothered now" Broadway. [Web Video]. Retrieved from http://www.youtube.com/watch?v=YDJ6XFgze5M&feature=related
5.)Choreographer: Susan Stroman
6.)Dancers (if credited): Jodi Benson, Harry Groener, Bruce Adler, John Hillner, Michele Pawk, Jane Connell, Beth Levael, Ronn Carroll
7.)Ranking: 2nd
8.)Comments & Notes : I really enjoyed how up beat this dance performance was. The dance consisted of one main male dancer and the rest were all female dancers. The females were all dressed in pink short dresses with small pink heels. The females in the show revolved around the man, they danced around him and we're very happy to get his attention. I liked that the dancers kept a smile on their faces throughout their performance. This dance consisted of props, telephones in particular. The majority of the dance steps had we're including the tapping of their feet as well as clapping of the hands.


- The influences I see in this dance routine are: Freedom of Movement/ Improvisation , Tap, Ballet, Call and response and Syncopated Rhythms.

- Call and Response was an influence used throughout the whole performance. The show revolved around the main character "Bobby." Anytime Bobby would say anything the females would have a response and create dialouge back with him. Tap was also another influence used throughout the performance. The majority of the beat consisted of the tapping of feet and clapping of hands.

Role of the dance
: I believe the main purpose of this dance number in the show was to express the importance of dancing and the joy it brings. The main character in the story, Bobby uses this number as an audition to impress Mr. Zangler. During the light, cheerful dance, Bobby is trying to show Mr. Zangler that dance is a priority in his life, not just an option. However, I don't think this message is only for Mr. Zangler, but the audience as well. The upbeat number is used to show that dance is actually a way of life. Along with bringing happiness to so many people, dance helps people cope with their problems and makes their lives better. The lyrics say,"Because you see I'm dancing and I can't be bothered now! Music is the magic that makes everything sunshiny dancing makes my troubles all seem tiny When I m dancing I don't care." These lyrics express the relief that dance brings to people. I think the role of the dance as a whole is to show that when you are dancing, nothing else matters. Dance comes above everything.

Societal Connections
:
The show opened in the early 90's. During the 90's, society was becoming much more liberal in many ways. People were becoming more accepting of different types of music and dance forms. There was an increase in popularity of grunge, rap, R&B, pop, and alternative rock. Although Broadway was a form of dance which America had already been used to, I think it is the message of the song that is most significant. I think the meaning of the song is to embrace dance and enjoy it regardless of what type of dancing it may be. This number connected to what was going on in society because it was liberating and allowed people to soothe themselves with music and dance.


Individual Connections:
I think my connection to this dance in particular is based on the freedom and liberation in the lyrics. What drew me to the dance was how carefree and upbeat the performance was. I really enjoyed the fact that main character, Bobby was using dance as a way to improve his life and solve his problems. I think it is so important to have a passion which can make you happy at all times. I immediately felt connected to this dance after watching it because of how inspirational it was. I would love to find a hobby or talent which can bring me joy on the days I feel low. Bobby put dance above all else in his life and it became his key to happiness; I think that is magical.

2nd Runner Up...


PICK 3 EXPANDED

Photo Credit: Playbill.com


Photo Credit: Playbill.com

1.) Name of show (year it opened): Mary Poppins (2006)
2.) Name of song/dance number: "Supercalifragilisticexpialidocious!"
3.)

4.) APA reference for video: Eyre, R. (Director). (2006)."Supercalifragilisticexpialidocious!" from mary poppins on broadway. [Web Video]. Retrieved from http://www.youtube.com/watch?v=qkHV6THFoDs
5.) Choreographer: Stephen Mear
6.)Dancers (if credited): Ashley Brown, Gavin Lee, Daniel Jenkins, Rebecca Luker, Jane Carr, Cass Morgan, Mark Price, Nick Corley, James Hindman, Tyler Maynard, Catherine Walker, Eric B. Anthony, Ann Arvia.
7.)Ranking in your Fab Four: 3rd
8.)Comments & Notes : This dance performance is quite different from the other picks I chose for my dance blog. This performance consits of less footwork and clapping compared to the other dances I chose. What I like about this performance was that it intially seemed like a slow, and calm show but then the performance builds up into a really fast, up-beat performance. I also really like that in this performance all the dancers were equally involved in singing, they sang the whole chorus together rather than certain individuals singing alone while others stay in the background. I really enoyed how different each of the dancers were from each other. They all had very unique costumes and makeup which were for their particular role. Although they all had different roles in the show, they seemed to be very together in their mood, singing, and movements.Influences used in this performance include: Call and response, The Charleston, Lindy Hop, Syncopated Rhythms, Freedom of Movement/ Improvisation.

Role of the dance:
I believe the purpose of this number in the show was to lighten the audience's mood and give them silly entertainment. The song is very happy-go-lucky and gives the audience the oppurtunity to giggle due to the nonsense words. I don't think there is any real meaning or significant message being expressed through the dance. You can see the cast members on stage are also dressed in a silly way; they are dressed in villager clothing but have crazy hair and dramatic makeup. The men have clown-like makeup and the women have dramatic eyes with multiple colors on their faces. The lyrics are just made up of goofy words and make light of the fact that words are just letters put together and don't always have real significance. The main purpose of the number is to make the audience smile with a refreshing, fun song.

Societal connections:
The show opened in 2006, while America was still recovering from a lot of trauma. America was dealing with the 5 year annivesrary of the Septemer 11th attack as well as the grief from the War on Terror. People were dealing with a lot of tragedies and needed to be cheered up. This performance was a great way for people to get out of their homes and enjoy some light entertainment. Watching the show was a breath of fresh air for society, it allowed them to relax and ease up their mind from the usual stress and saddness.

Individual connections:
I really enjoyed this number because of how simple the story was yet still fun. I feel like this number was very unique and different from any other performance i've seen because it didn't require you to follow along a serious story with a deep meaning. As a college student, I am always bombarded with exams and papers, looking for any extra hour of sleep I can get. In my free time, I always find myself wanting to watch something light and entertaining. I love watching movies but don't always feel like watching something that requires me to concentrate. I connected to this number immediately because of how entertaining and easy to follow it is. Sometimes movies and shows that don't require you to think are the way to go. :p

3rd Runner Up...


PICK 4 EXPANDED

Photo Credit : Playbill.com


Photo Credit: Bluegobo.com

1.)Name of show (year it opened): The Boy From Oz (2003) 
2.)Name of song/dance number: " I Go To Rio"
 3.)Video [Embed]: 

4.) APA reference for video: SophiaBPuentes.(Posted by). ( June 25,2010). The boy from oz (2003 broadway production) - "i go to rio". [Web Video]. Retrieved from http://www.youtube.com/watch?v=U7K3SJ1uK9s
5.)Choreographer: Joey Mckneely
6.)Dancers (if credited): Hugh Jackman and Cast
7.)Ranking in your Fab Four: 4th place
8.)Comments & Notes - The actual dance begins at 1:03 in the video clip I have provided. As the music starts, the audience can immidetiately see that the performance is going to be upbeat. I really enjoy broadway performances that have high energy and spirit. The dancers in the performance are so carefree and energetic, their movements are so rhythmic and loose. This dance consists of many dancers, at first we see five women and five men dancing with maracas. Although they used props in their dance, I really liked that it did not hold them back from extravagent dance moves. They all had to do extremely high kicks as well as elongated stretches with their arms at an extemely fast pace. I enjoyed how the movements in this dance were so free such as the rolling of the hips and waist. The dancers of this show make these difficult steps appear so easy which shows how taleneted they truly are. After the 5 men and 5 women go off stage, a little boy comes on stage and dances with a pair of maracas as well, I wasn't a fan of this part of the show. My favorite part of the performance is when Hugh Jackman appears on stage and dances, the background dancers take his lead. I really like his presence and the postive energy he brings to the stage with his free spirted dancing. 


Influences used in this dance were: Freedom of movement/improvisation - used in all the rolling of hip movements and looseness of the waist area when dancing.
Call and Response - Used towards the end of the performance Hugh Jackman was the main star of the program and the other dancers followed his lead and dance moves, the show revolved around Jackman.
Syncopated rhythm -Was used throughout the performance, especially in the beginning when the 5 couples were dancing with maracas.
Polyrhythm - Used throughout the performance.
A steady pulse/ Regular beat


Role of the dance: I believe the main purpose of this number was to be pure entertainment. It was such an exciting routine to watch, everything was so glamorous,  from the set, to the costumes, and props. Another part of the show that was fun to look at was the fast, back to back dance movements. The intricate movements were done with such precision and grace, they looked effortless. The dancers held maracas throughout the dance while quickly switched between spins, high kicks, twists, turns, and shakes. The fast paced number was filled with great choreography and entertainment; it was definitely a fun filled performance.


Societal connections: This number came out in 2003, a time where dance was becoming more and more commonly found as a source of entertainment. In the past, if you wanted to see a dance you would have to go buy a ticket and watch it at the theater; it was in the early 2000's that dance became accessible in many other ways. Many TV shows such as "Dancing with the Stars" and "So You Think You Can Dance" came out in this era. Watching dance performances became a common pastime for people at home. People learned to enjoy dance as a form of their daily recreational activity. This number's being so dramatic and appealing to the eyes was definitely a great source of entertainment.


Individual connections: Since I am not a dancer myself, the only connection I have to dance is to be entertained by it. This performance really did it for me, I immediately was drawn to this fun, upbeat number. The whole cast had this great positive energy and truly seemed like they were enjoying every movement their bodies were making. I really appreciate when a dancer enjoys their talent so much that they make it appear effortless. The rigorous choreography was done in such a oraganized and elegant manner. The dance was even more challenging because the dancers had to dance along the steps at one point. The costumes were very stunning as well. I think it was the performance as a whole that did it for me; had it been lacking any of those factors I probably would not have liked it as much. It was everything put together as a whole that made it an extremely entertaining number.

Wednesday, November 30, 2011

Better Luck Next Time...Closing Notice


                                                  
             Photo Credit: Playbill.com

Closing Notice: "Steal Your Rock n' Roll" fell short for me in one particular way. What I love about Broadway is its story-telling ability; this number did not do that for me. The obvious microphones specifically and the choreography, too, made it seem more like a concert than a hit number from a musical. As opposed to the other performances from my Fab Four, I did not feel that "Broadway" energy, where the characters and singers portray their emotion through the lyrics and the dancers their story through their movement. The style of this performance felt as though it could be a pop concert which I could sing along with rather than a story which I could follow along and relate to. In addition, I believe the director of the show was more concerned with the singing aspect of the musical rather than the performance as a whole. For these reasons, I would not pick Memphis as one of my top four choices.

1.)Name of show (year it opened): Memphis (2009) 
2.)Name of song/dance number: "Steal Your Rock 'N' Roll"
3.)Video:
4.)APA reference for video: Hngrego. ( 2010, June 16). Memphis the Musical - "Steal Your Rock 'N' Roll" [Video File]. 
5.)Choreographer: Sergio Trujillo 
6.)Dancers (if credited): Chad Kimball, Montego Glover, and Cast. 
7.)Ranking: 5th 
8.)Comments & Notes -The performance starts off with some dialogue by Chad Kimball and Montego Glover. Their dialogue quickly turns into singing and the pace picks up as the rest of the cast joins them on stage and sings along. I like that this number started off with conversation between Kimball and Glover because it provides the audience with a small narration which gives them an idea of the meaning behind the song.The main cast members,Chad Kimball playing Huey, and Montego Glover playing Felicia are responsible for majority of the singing in the performance, especially the chorus. Meanwhile, in the background, the rest of the cast members are responsible for all the dancing and movement, as well as singing certain lyrics in the song to emphasize their strength. I really enjoyed how upbeat and high energy this performance was. Although it was very fast paced, the dancers made it look effortless. I also appreciated the simplicity of the wardrobe the cast was wearing. Most of the men wore button up shirts with dress pants and the rest wore casual half sleeve polo shirts with khakis. The women all wore plain, flowy dresses that came up to their knees.The cast members didn't have extravagent costumes but I thought they all appeared very neat and groomed.

                                               
Photo Credit: Memphisflyer.com

Influences:

Freedom of Movement/ Improvisation: Around 0:58 seconds the cast members show a lot of freedom of movement.You can see as they are all lined up together that within a matter of seconds they quickly shift from bending to and from the ground, putting all their body weight on their knees, arching their arms diagonally upward, criss crossing their legs, to spinning in a circle. They used several individual parts of their bodies to create such an intricate dance move which lasted just a matter of seconds.

Charleston: Around 1:00 to 1:06 while the dancers are exhibiting freedom of movement, they are also using charleston like movements with their feet. As they lift their arms in the air, their footwork resembles the Charleston. The dancers shift their feet and alternate putting one in front of the other repeatedly.

Synocopated Rhythm: Around 1:52 to 2:36 the singing ends and a new beat of a music plays in the background. During this part of the performance, the music picks up very quickly and the new beats are very prominent. The sound of drums being played is emphasized at this time while the dancers begin their extravagant movements. The male dancers are at the center of the stage and began doing high jumps, back flips, and splits across the stage.

Ballet: Around 2:05 to 2:09 four male dancers at the front of the stage use ballet movements. They show influences of ballet by doing a small pirouette followed by a high jump spin in the air.

Buddy Bradley: Around 2:15 to 2:20 two male dancers in the center of the stage seem to be movements with their feet that are influenced by Buddy Bradley. The two males slide their feet quickly, alternating from left to right.

Precision Dancing: Around 2:25 to 2:30 there are two rows of male dancers standing one behind the other. The first row completes a back flip while at the same time the back row completes a front flip. This movement was so polished, none of the dancers collided into each other or hesitated. The dancers complete this movement with such precision and executed it with perfection without any signal from each other.

Other Influences: Connection to Earth, Call and Response, and Tap.

PICK 6 - UNIT 10
Photo Credit: Playbill.com

Closing Notice: Although I definitely enjoyed Donna Murphy's quirky attitude and movements in the upbeat number, "Swing," I must say that in comparison to my top four choices, which had a lot of character, I was not particularly fond of the bland set; I enjoy watching musicals in which the sets complement the story being told. "Swing" lacks a creative backdrop to the eccentricity of the show. In simpler words, the stage props do not do justice to the characters and their big personalities. I did not get the whole effect from "Swing;"much like "Steal Your Rock n' Roll," it lacked the "wow" factor that brings the whole number together into an enjoyable performance. Donna Murphy's star quality could be enough to attract any viewer but for me, the stage setting fell short.

1.)Name of show (year it opened): Wonderful Town (2003 Revival)
2.)Name of song/dance number: "Swing!"
3.) 
4.)APA reference for video: Wonderful Town Broadway Revival Tony Award Live (2011, July 23). [Video file]. Retrieved from http://www.youtube.com/watch?v=5P7n5Am-F5A 
5.)Choreographer: Kathleen Marshall 
6.)Dancers (if credited): Donna Murphy and Cast 
7.)Ranking: 6th 
8.)Comments & Notes - Initially, what drew me to this performance was the fact that before viewing the dance, the host of the Tony Award show provided a brief narrative about the show. I personally enjoy performances so much more when I know the general story behind each scene. I think that the dialogue between cast members before the actual singing begins allows the audience to connect to the song and thoroughly understand all the lyrics. I felt that the main star of the show, Donna Murphy made this performance very memorable due to her sometimes awkward and strange behaviors. The first thing I noticed about her was her charisma and enthusiasm to play her role. She didn't hesitate to behave in an unusual manner for a woman, she was more focused on the actual performance and entertaining the audience. Many times throughout the show, she came off as eccentric. Whether it was her posture, her dance movements, her stance, or her gestures, she came off far from elegant. Although some may think her behavior on stage is quirky, I think that is the main attribute to her star quality. She seemed to be the star of the stage while the background dancers complimented her character.
                                   Photo Credit: Playbill.com
 Influences:


The Charleston:
Around 3:37 the actor's dance moves including,the snapping of fingers, kicking of feet side to side , and twisting of hips seem to be influenced by the Charleston.

Swing Dance: Around 4:23 as the male and female dancers began to dance on the stage, the beat picks up as they dance as couples, spinning in circles, diagonally kicking, and lifting each other in the air, their movements exhibit influences of swing.

Vaudaville
- Around 4:13 they begin their vaudaville influenced movements including, high jumps, high kicks, and flips.

Joesphine Baker- Donna Murphy's carefree character reminded me so much of Joesphine baker. She didn't care if she was making a fool of herself on stage, she cared about the end result and wanted a great performance.

Other influences:


The Shimmy
The Lindy hop

Anges de Mille
 Connection to Earth
Call and Response
Tap
Freedom of Movement



Tuesday, November 29, 2011

References

POST 1:


 42nd street broadway. (2005). [Picture File]. Retrieved from http://www.nytix.com/repository/broadwaytheatres/ford/ford_large.jpg


42nd street cover. (2004). [Picture File]. Retrieved from http://ecx.images-amazon.com/images/I/51jYrLo7XAL._SL500_AA300_.jpg


42nd Street Broadway Revival Tony Award Presentation (2010). [Video file].  Retrieved from http://www.youtube.com/watch?v=dEVi5oug7Rk&feature=player_embedded


Ben Bradley. (2001). Theater review. New York Times. Retrieved from http://theater.nytimes.com/mem/theater/treview.html?


(2009). Theater review. Chicago Critic. Retrieved from http://chicagocritic.com/42nd-street/


 Theater review. TheaterMania. Retrieved from http://www.theatermania.com/hamptons/shows/42nd-street_180037/


 Tony Award's Poster 42nd Street. [Picture File]. Retrieved from http://www.unitedshow-music.com/gfx/42nd-street-musical01.jpg


 42nd Street Musical. [Picture File]. Retrieved from http://www.robertaonthearts.com/images/jm42ststairs070604.jpg


 42nd Street Finale. [Picture File]. Retrieved from http://images.broadwayworld.com/upload/35208/tn-500_finale-thumb.jpg


42nd Street Broadway. [Picture File]. Retrieved from http://www.wanzie.com/wanzegram/072310/42nd-street-06.jpg




POST 2:


Crazy for you. [Picture File]. Retrieved from http://broadwaymusicalhome.com/images/shows/crazy.jpg


Crazy for you Musical. [Picture File]. Retrieved from http://www.bluegobo.com/media/videos/c4u_tonys.jpg


 Crazy for you - "I Can't Be Bothered Now" Broadway (1992). [Web Video]. Retrieved from http://www.youtube.com/watch?v=YDJ6XFgze5M&feature=related


POST 3:


 Mary Poppins Cover. [Picture File]. Retrieved from http://www.playbill.com/images/photo/p/o/poppinsnew.jpg


 Mary poppins musical. [Picture File]. Retrieved from http://www.playbill.com/images/photo/7/F/7F39209DE8AD4B2A9E145367DDAC801C.jpg


."Supercalifragilisticexpialidocious!" from Mary Poppins on Broadway. (2006) [Web Video]. Retrieved from http://www.youtube.com/watch?v=qkHV6THFoDs


POST 4:


 The Boy From Oz cover. [Picture File]. Retrieved from http://www.loisgreenfield.com/images/uploads/theater_boy_from_oz1r.jpg


 Hugh Jackman Boy From Oz. [Picture File]. Retrieved from http://www.smh.com.au/ffximage/2006/09/11/Boy_060911092545452_wideweb__300x375.jpg

Puentes, S. B. (2010, June 25). The Boy From Oz (2003 Broadway production) - I Go to Rio [Video file].Retrieved from http://www.youtube.com/watch?v=U7K3SJ1uK9s



POST 5:


 Memphis cover. [Web Photo]. Retrieved from http://www.playbill.com/images/photo/m/e/memphiscover.jpg


Hngrego. ( 2010, June 16). Memphis the Musical - "Steal Your Rock 'N' Roll" [Video File]. Retrieved from http://www.youtube.com/watch?v=ufENHpG6rHM&feature=player_embedded


(Memphis flyer. [Picture File]. Retrieved from http://www.memphisflyer.com/images/blogimages/2009/10/20/1256073311-memmusic.jpg


 Wonderful town cover. [Web Photo]. Retrieved from http://www.playbill.com/images/photo/W/o/WonderfulTownCover.jpg


 Wonderful Town Broadway Revival Tony Award Live (2011, July 23). [Video file]. Retrieved from http://www.youtube.com/watch?v=5P7n5Am-F5A 


 Wonderful town . [Picture File]. Retrieved from http://www.playbill.com/images/photo/t/o/town4.jpg